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L and the Invisible Poet debate the term ‘fictional knowledge’ and its use in a blog- (which, L may or may not write, but let’s hope he gets distracted).

The Invisible Poet begins-

“Why, L? Why? Why not say trope or literary elements or rhetoric or any other term that narrows the definition of what is really going on?”

“Good question, and my answer is, because.”

“Because? What kind of argument is that? You are going to throw out thousands of years of analysis, studies going back to the writings of Aristotle discussing logos, pathos, and ethos, the five canons, the three ancient arts of discourse, and just answer, ‘because’?”

“Yeah, uhmmm, I don’t really know what that means.”

“It means, L, that you have a lot of work to do and aren’t taking the time or respecting the groundwork of the institutions that have laid the road before us in which we should deliberate.”

“Yes, I know, I’m a bad person.”

“A bad person? A BAD PERSON?!?”

L took pause for a moment, then says, “Let me ask you something. Haaavvvve yooouuu read-my-book, ‘The Report On Dr. Chiharu Matsui and The Robot Army?”

“Seriously, L? Why would you ask me such a thing? Literature is a serious subject and at its core is a struggle that humans have tried, some dying for the very words that they dared lay down, just to define our existence of what it is to be.”

“Yes, a lot of people die in my short story.”

“I don’t think you get it, L.”

“Maybe you don’t get it. What you are really upset about is the precipice upon which we are standing. You know, ‘precipice’, a word that has been beaten to death as a metaphor. But it means, a very steep rock face or cliff, typically a tall one. Ya see, there have been times in history that some people actually witness the change of the decline of what has been known, and have front row seats. It may have been the last ice age 10,000 years ago, or the droughts that turned ancient Egypt’s fertile lands to deserts, or one of the many wars that plummeted lands where generations of young were raised with nothing but peace. Through it all though, there have been people like you who produce art. Art, good art, it may be, in the end, the only thing that ever had any real value. It is certainly the only thing that we can be remembered by as a whole people, if we are to be remembered as more than just warriors. Museums and great libraries, are in a way, shrines to those few who could do what is possible. Showing us at our best. You do that. Not me.”

“Yes, what is the point, L?”

“I’m leading us over the cliff. Someone has to.”

“What? Think of the children?”

“Yes, well, I told you. I’m a bad person.”

“You are doing the work of the devil.”

“No, the devil brought us knowledge. I wish I were smart enough to do the work of the devil. More likely, I’m doing the work of god and spreading ignorance. Honestly though, it is neither. And besides, it is also the work of these institutions of which you speak that have partially obscured the lines of good and evil, the devil and god, and the argument within. Now if you all can’t get together on that, why should I respect the rest? Besides, I just like to write and share, not only my creativity, but also what I discovered, so I’m going with the term, ‘fictional knowledge’.”

“Straw man argument, L.”

“I know. I’m a bad person.”

LD- 2014- NYC


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